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Melissa Anne Crawford
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Shop
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Artwork Shop Minot
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Minot

Sale Price:£160.00 Original Price:£240.00
sale

Minot’s Ledge Lighthouse is a mile out to shore. Teenagers often drove boats out there, climbed up the lighthouse and jumped into the water. It was a right of passage that required a boat (which I didn’t have). This piece is wistful, expressing an itch for a missed experience since I never personally jumped off the lighthouse. There’s a playfulness too because I bet it was exhilarating. 

Acrylic and wax crayon on paper. Signed on the back.

9 in X 12 in (23 cm X 30 cm)

This collection is very personal for me. It’s a reflection of feeling unmoored since my parents sold my childhood home a few years ago (I don’t blame them btw!). The concept of home is so sacred and comforting. I have been missing the attachment to the physical place. Even though I’ve lived from home since I turned 18, it was always somewhere I could go back to. This year, I’ve been struggling with uncertainty around my home given I’m renting my current place in London. The series shows abstract distant views of places familiar to me from in and around my hometown of Cohasset, Massachusetts. There is a playfulness as well as a nostalgic distance. There’s also an openness expressed through the blocks of colours that reflect the ambiguity of the future while the details in the distance show the finality of the past. For me, creating these pieces was a way to cope and process the ungrounding. 

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Minot’s Ledge Lighthouse is a mile out to shore. Teenagers often drove boats out there, climbed up the lighthouse and jumped into the water. It was a right of passage that required a boat (which I didn’t have). This piece is wistful, expressing an itch for a missed experience since I never personally jumped off the lighthouse. There’s a playfulness too because I bet it was exhilarating. 

Acrylic and wax crayon on paper. Signed on the back.

9 in X 12 in (23 cm X 30 cm)

This collection is very personal for me. It’s a reflection of feeling unmoored since my parents sold my childhood home a few years ago (I don’t blame them btw!). The concept of home is so sacred and comforting. I have been missing the attachment to the physical place. Even though I’ve lived from home since I turned 18, it was always somewhere I could go back to. This year, I’ve been struggling with uncertainty around my home given I’m renting my current place in London. The series shows abstract distant views of places familiar to me from in and around my hometown of Cohasset, Massachusetts. There is a playfulness as well as a nostalgic distance. There’s also an openness expressed through the blocks of colours that reflect the ambiguity of the future while the details in the distance show the finality of the past. For me, creating these pieces was a way to cope and process the ungrounding. 

Minot’s Ledge Lighthouse is a mile out to shore. Teenagers often drove boats out there, climbed up the lighthouse and jumped into the water. It was a right of passage that required a boat (which I didn’t have). This piece is wistful, expressing an itch for a missed experience since I never personally jumped off the lighthouse. There’s a playfulness too because I bet it was exhilarating. 

Acrylic and wax crayon on paper. Signed on the back.

9 in X 12 in (23 cm X 30 cm)

This collection is very personal for me. It’s a reflection of feeling unmoored since my parents sold my childhood home a few years ago (I don’t blame them btw!). The concept of home is so sacred and comforting. I have been missing the attachment to the physical place. Even though I’ve lived from home since I turned 18, it was always somewhere I could go back to. This year, I’ve been struggling with uncertainty around my home given I’m renting my current place in London. The series shows abstract distant views of places familiar to me from in and around my hometown of Cohasset, Massachusetts. There is a playfulness as well as a nostalgic distance. There’s also an openness expressed through the blocks of colours that reflect the ambiguity of the future while the details in the distance show the finality of the past. For me, creating these pieces was a way to cope and process the ungrounding. 

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Melissa Anne Crawford

London, UK


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